Judd songster
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They liked dancing, going to Husker games, attending the grandkids sporting events and going out to the Elks and American Legion. Years later she and Warren enjoyed being active and socializing. When in high school, Evie was a majorette.
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Evie was very involved with the business doing interior decorating and staging. In 1959 they moved to North Platte where they raised their children, Vickie and Mark, and later owned Shults Construction. The couple married on November 13, 1954, in Raton, NM, then made their home in Grant. While working at a diner in Grant, Evie met Warren Shults.
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She grew up in Hot Springs and later Dunsmuir, CA, where she graduated from high school, then the Hughes family moved to Grant, NE.
#Judd songster free
In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.Evie Shults, of North Platte, Nebraska, passed away at home on July 4, 2021, at the age of 87.Įvie was born in Hot Springs, AR, to Monroe and Ollie Hughes on May 30, 1934. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States.Ī passionate teacher, Mr. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa.
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The lyrics composed in Estonian by August Annist were based on the ritual incantations of the Finnish epic Kalevala, whereas current Estonian poets Paul-Eerik Rummo and Jean Kaplinski added elements from modern reality. Each and every thing created by man may turn against man himself when used without respect for the living. The magical rite is performed to restrain the evil hiding inside iron. Thus the describing and explaining of the birth of iron to iron itself forms a part of the shamanic process. The idea of the composition derives from shamanism: in order to acquire power over a material or immaterial thing, one communicates knowledge to the object. I combined those elements with modern choral techniques. The idea of Raua Needmine (‘Curse Upon Iron,’ 1972) was on my mind for years before I found a perfect form for it in an enchanting repetitive ostinato accompanied by a shamanic drum. Here is the composer’s description of the piece: It’s music filled with ancient, primal sounds emerging out of the Shaman’s drum. Veljo Tormis’ most famous work may be Raua Needmine (“Curse Upon Iron”), written in 1972. Here is Rota Dziesma (“Spring Song”) from Tormis’ six Latvian Bourdon Songs: A simple, repeated folk melody is joined by other voices, forming an overlapping, melodic loop: Its text reflects on the process of learning to sing as a child, a frequent theme in Estonian folk music, according to Tormis. Lauliku Lapsepoli (“The Songster’s Childhood”) was written in 1966 during Soviet occupation of Estonia and later became part of a five-song cycle. To me, folk music is not a means of self-expression on the contrary, I feel the need to express the essence of folk music, its spirit, meaning and form. Veljo Tormis described the influence of Estonian folksongs on his work this way: His music played a role in the revolutionary movement for Estonian independence from the Soviet Union. (The documentary, The Singing Revolution, chronicles the spontaneous, overnight, mass singing demonstrations which unfolded at the Tallinn Song Festival Grounds in June, 1988). Tormis’ music, deeply rooted in the ancient Estonian folk tradition, includes more than 500, mostly a cappella, choral compositions. The prolific Estonian composer Veljo Tormis passed away last Saturday.